WEBVTT
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This program is designed to provide general information with regards
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to the subject matters covered. This information is given with
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the understanding that neither the hosts, guests, sponsors, or station
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are engaged in rendering any specific and personal medical, financial,
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legal counseling, professional service, or any advice. You should seek
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the services of competent professionals before applying or trying any
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suggested ideas.
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Hi, welcome to the Sounds of Gold. Welcome back if
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you've been here before, you know, if you're new, welcome
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as well. And the Sound of Gold. My focus is
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on music, musicians, music venues, music teachers, and music schools.
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There is so much talent out in our communities that
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it's almost as if we don't get the attention that
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we deserve. And so I am that voice to help
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you get noticed and get the recognition and an attention
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that you deserve. I have to say that every time
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I have a show, I feel so blessed. I have
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so many great guests that joined me on my show,
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and I today have a special guest that is joining
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me from here in South Florida. I think he's in
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South Florida, and he is a world renowned international violinist,
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mister Steven Aviy welcome. I love it. How are you?
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I'm great, blend me to be a platform request and
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I really really am excited, absolutely.
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Absolutely, and Stephen, I have to say, and I'm watching
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our time because we only have so much time, and
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I feel there's so many questions I have, and I
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want to begin by recognizing you. Stephen. We've been friends
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on Facebook for years and years, and as a friend,
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as as a fan, as just a musician, I want
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to compliment you because I've not only seen you succeed,
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I've seen you grow and transform over the years, so
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much so that you know I I thought about this
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before talking to you today, and I've thought about it
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over the past week. I go, oh, I hope I
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don't cry because I feel also emotionally yeah, blessed to
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know you. But more so, I'm just so so in
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awe and so inspired by your drive, your motivation, your
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your creativity. And I've seen some of your performances I've
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seen recorded and and you just all the energy you
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put out To share with my audience a little bit
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about you, Please share with us a little bit about
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your journey as to where you began with with what
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inspired you to get started playing?
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It's just a crime rights, I would say I first
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saw that. Finally.
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For me, I've started was a little bit with with
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music sinceince I was born.
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Actually, so.
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I mean, music's best part of my life. Even though
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that's me personally. I don't come from from your musicians.
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I person that really basic decision. There's some people, you know,
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my father, he learned somebody, but that was like really
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making not just much really being in the music, ducating
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all that time into just serious practice and the art
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form of instrumental or music in general as an art form.
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You know, you know, I don't have anybody, so so
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it's it's been about that. I and on one part
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he was kind of lonely, but to only because I'm
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some amazing people on the way and you know it
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meanly I met you really really thank you so much
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for part of it, because even these are other good
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things makes the artists journey, you know, these interviews, the
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platforms express ourselves.
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So thank you so much.
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For me.
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I I've always had an interest with the violin, and
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specifically six years old. You know, by that time I
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was reallyious listening to auxestrating music, whether it was music
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scores or it was just classical music. Listening to to
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to Chrystler, listen to anything from bi Baldi or Mends
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and and and I told my mother, listen, you know
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I I can do something different instrument.
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I wanted the violin. I wanted no one. This is all.
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It is all me, so at some us all I
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started with with formal training.
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Actually by my birthday I got my first violin my
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grandmother and I said, I my first recital.
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And from from then on, you know, I I just
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never never stopped.
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I did competitions from around putt important in.
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All the way to go about then, I you.
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Know, I was in a youth orchestra as well as
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I didn't want thing with you from bands composing recording
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in a studio. It was actually some great artice actually
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in and in fact even now I rereadly doing doing
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other projects outside of everything else I doing. But I
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really really do last night, but really for me, if
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you look, that's.
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Number one, Okay, that's that's wonderful, wonderful. And you not
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only play, I've seen you you you conduct as well.
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Yes, I'm a conductor as as well as also many
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things that you outside of just complaining the violin is conducting.
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And what I love about it is that I feel
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in a.
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Way that even though I don't play a wind instrument,
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I feel like I'm learning about being someone that plays
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these wind instruments, you know, because because I believe one
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person I s have the knowledge recently will want to
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learn about about these instruments. So I really love them.
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I really love Blude Clear and in fact, actually I'm
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really in soon. Okay, So I really love this instrument
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that you would want whether you would hear in any
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other orchestra or instruments that are not necessarily because its orthodox.
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So we have one person in my orchestra.
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So I also to say this, I have the blessing
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to say that I am the founder of the compassing
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the orchestra which you can and by the name of our.
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Small compound symphony.
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So we want to up later about about the next
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few shows coming up. Abs, Yes, because we have one
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flute is that doesn't just play the food, but he
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also plays the pinning was early also plays he plays
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the flute piano, so it's a flute. But then so
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small pianos like that small.
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I've seen this yes, I've seen this, yes.
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So so so so you know seething that I get
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really into those of instruments. So so for me personally,
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I as I have a large knowledge, becomes to string instruments,
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but not necessarily with those interests.
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That's why I don't.
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I'm talking a lot about like flutes, et cetera, because
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because I believe that those musicians over my mind to
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those things. So being a director really is opening up
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in your mind and understanding that that's there's so much
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more than just played. And also, as I think too,
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the best the best directors are the ones that can't
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played it.
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Also like the seas m.
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I'm sorry now you've got to good to good.
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But I would also would also say that if the
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any secrets to to to to directing and h I
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really don't access because I just want to just give
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up my knowledge. My experience is that if you can,
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if you have the choice to get musicians yourself, which
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I was able.
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To do during this during these.
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Concerts, the one thing I would say the most important
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is to pick using that's the best. There's many ways
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to do that. Actually one specific way and that's that's
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the valid way. But you can find that's the best.
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That's how we know that that's a great or even
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a film that believe the same rule like to to
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make the film. And to the point where really the
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more professional the people that you could are the.
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Easyda what is.
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It's to the point where I feel like a lot
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of my musicians I could just tell hey, just play it.
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I won't even direct, I'll just do this.
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Yeah, and then you know, so no, I've seen I
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have so many again, I have so many questions for you.
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But since we're on the subject of your conducting, I've
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watched you conduct and not live. I've watched a replay,
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and maybe because being a musician, I really admire how
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you how you connected to the musicians. And not only
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did you connect with them, but they played like you
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can see on their faces they were in such joy
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with you because your energy is so expansive and and they,
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you know, it almost showed like they had some freedom
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in their playing because you did not. You did not
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structure them so much so that you didn't give them
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room to to be expressive.
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I would say that, you know, in terms of make
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sure that's why we have first to also, you know,
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it's making sure that that's we're all together, not just playing,
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but we're all together as an orchestra, and making sure
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that maybe we understand what we are playing.
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After that, I give them the freedom, you know, I make.
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Sure that that's you know, they see the energy of
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each other, but also of the crowd because also in
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the products as what makes sense, and you know, I
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feel like I'm somewhere.
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So so share with our audience Stephen a little bit
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about your journey as far as how you began in
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the direction of connecting with venues and connecting with I mean,
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you're international.
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That's huge. I mean you're worldwide and that's not easy.
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And you were telling me you are also playing in Canada.
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You know, how did you was it who you knew?
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Was it?
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Like? How how did you go about getting these these
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events booked? How did you How did you connect with
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the right people? How did you know.
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Right time in my place?
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And then just always making sure that that I was
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that I was always ready for a show.
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Out a bit in my challenge, whether he were just showing.
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Them live quick or giving an artical taste right a sample,
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or be virtual showing a video. I think even contact
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them because the main thing is not waiting for the
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right moment, just creating.
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Yes, so a lot of people I would write prossing myself.
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Or I would do one events that before, and then
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one thing will lead to another, like I can I
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tell the story about father. It was to actually youngerly
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that it was to call I got in the middle
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of the night in Iceland. Oh wow, that's that's literally
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all started. You know.
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It was just a guy. I told me, hey, listen.
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I I can't promise anything, but they just sent me
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a password.
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I was already cause me. It's like, hey, I want
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to islands more of what you have? A concert? I
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got an a play right there with whole week. We
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did an amazing concert. It was called which is a
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French idea that's international.
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And and we did over there first time in Iceland.
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I hope to do it again.
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This was ae years ago and I'm a person who
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really passed it on, et cetera. I started working with
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that person various times afterwards, and we we did, we did,
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we did Span, we did Orlando, we did all other places,
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you know. And then it got to a certain certain
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team that wanted to fund at the young the money
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to produce comp orchestra. I think director who was playing
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of music at the time with the violin.
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With classical music. It was me.
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So that's so. So we we had talked about vision
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with an amazing artist who is really a pioneer. Him
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and him and his father pioneers of the genre.
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Is in his flarly year. It's father is at the
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end of the year. It was thisaed Win.
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Actually even attribute to to is the best song. It
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was actually one of my favorite songs about in in
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our concert. So I was in charge of making sure,
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make sure we get the best conditions, making sure that
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we are really really good.
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Making sure usual she's on on ping et cetera.
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As well.
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I had that, you know, I'm great drugger. So we
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got our first consert in and not only you know,
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I had the blessing to see.
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This as well, you know, not only was just just
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is it just a success.
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We not only just the stage it was was sold out,
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but it was actually wasn't sold out. It was actually
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over sold out. It was the first time in his history.
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That's everything else. And so when we're actually sold actually
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over sold. So so that ticket they got in that