WEBVTT
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This program is designed to provide general information with regards
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to the subject matters covered. This information is given with
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the understanding that neither the hosts, guests, sponsors, or station
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are engaged in rendering any specific and personal medical, financial,
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legal counseling, professional service, or any advice. You should seek
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the services of competent professionals before applying or trying any
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suggested ideas.
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Hi, welcome to the Sound of Gold. It is so
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great to be back for you today. And I'd say
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i'd be back.
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With you and be able to.
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See me and hear me, and I know that you're there,
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and I'm so thankful for you. Because of you, I'm
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able to keep this show going and I will continue
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to do this. My show is called The Sound of Gold.
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If you've been here before, you know my focus is
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on music, musicians, music venues, music teachers, music collegey music schools,
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and composers and anything music related. It is such a
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privilege and a joy for me to do this. I
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am also a piano player. I also teach piano and
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here right now while we are recording live. It is Monday.
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It is Monday afternoon on this evening time. At the
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end of a Monday, and even if you're watching this
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a recording of this, I would like to play for
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you just a couple of minutes before we get into
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our show.
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For today, and I invite you to sit back and reave.
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I hope you are.
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All doing well, and I hope that whatever kind of
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day you've had, that you may find love and peace
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in it and happiness. And I'm so excited today I
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have some special guests with me, and I'm so excited
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that you're here with me to tune in and to
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share with you. You know, I'm going to jump around
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a little bit because this past July, the fourth of
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July here in the United States, it was celebrated. It
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is celebrated for the two hundred and fiftieth anniversary of
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our country. And that's huge. You know, a lot of
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us have grown up and we I would think all
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of us have grown up with the education of our
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history and.
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Our independence.
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And not to get into politics, because I don't.
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It's just a privilege to be alive.
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In today's day and age and to being a part
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of celebrating two hundred and fifty years. That's a long time.
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And even if we're not that age I'm not, at
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least not yet. It's still a privilege to be a
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part of the celebration. And although July has passed and
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we're in August, the idea of the acknowledgment of two
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hundred and fifty years is still present and it.
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Is so exciting to me that we continue to celebrate
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that through music. And two of my guests today.
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That I'm going to be bringing on they are a
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big part of the master Works Chorus of the Palm
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Beaches here in Florida, and I can't wait for them
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to be here with me to tell you about their
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way of sharing and performing in honor of two hundred
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and fifty years celebration. Okay and Kathy, please join me.
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I know you're sitting backstage waiting for.
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Me and Lisa.
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Hi, k Hi, Katy Hi.
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Nice to be with you and with your listeners.
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Yes, thank you, thank you, and thank you so much
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for making the time for this. And We've planned this
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a few months out and I'm so excited because there
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is so much that goes into this performance and even
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before we get into that, I'm a people person.
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We made a connection through through Ronda, through MT and.
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A, and I'm all about building relationships and getting to
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know you, because this isn't just a job as a musician.
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We don't just do a job. We live our passion.
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And I don't know who wants to go first, but Kay, Kathy,
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choose you girls pick. I would love to hear and
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I would love to share with our audience a little
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bit about your your journey, your musical journey through your
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lifetime that has brought you to where you are now.
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Okay, you, why don't you? CA's been with Masterworks course
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for many years and one of the has been had
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a long professional career, So Kay, why don't you start.
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I'm the current president and I'll take over when Kay
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is finished. Okay, yeah, thank you. Yeah.
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I started my musical career at the age of twenty one.
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I wasn't five like you, Lisa. I started twenty one.
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And I started as an opera singer at twenty one,
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which was kind of strange for most people to think
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of that, I guess. But I went on to sing
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with the opera as a soloist, started in the chorus,
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saying as a soloist for almost thirty years, and I
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also was the musical administrator for the Pompi ch Opera
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under Maestro Anton Guadago.
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I was his personal assistant.
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So I really enjoyed all that time, and then went
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on to do musical theater Phantom of the op From
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Phantom of the Opera to Menopause the musical, all kinds
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of fun stuff. Yeah. But now I decided to join Masterworks,
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and I've been singing with Masterworks for probably eight years now.
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But I also knew the original conductor, doctor Jack Jones,
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who started Masterworks many many years ago, and he was
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a dear friend of mine.
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So since nineteen seventy eight, fifty years, almost fifty years. Yeah, yeah,
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not that that was how long you knew him, but
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that's how long the Chorus was founded by him in
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nineteen seventy eight.
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Now, what an inspiration. Wow, who would have thought it
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would have gone so long? I mean, he what a
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legacy he's left.
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Yeah, and he has unfortunately passed away. And we have
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a wonderful conductor. Now, I'll let Kathy describe Brian Eines
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to you. He's our new conductor. I'll let him describe him.
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Well, the history of Masterworks is kind of interesting. In
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this nineteen seventy eight version period Jack Jones was a
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Juilliard trained organist of some renown and at a certain
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point he was at Bombich Atlantic and then he went
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to the Royal Poinciana Chapel and he started with singalongs,
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Messiah singalongs and our current I'll get to our current conductor,
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but our current accompanist was an early accompanist of master
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Works Chorus when we were at the Royal Poinciana Chapel,
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largely during after COVID, we experienced new leadership and changes
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like everybody did. And last year we hired brought doctor
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Brian Iams, who is a doctorate in choral conducting from
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University of Michigan. He grew up in this area. I
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don't know if he grew up here, but he began
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his teaching in the Southern County high schools and then
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became then he was selected to be trained at the
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University of Michigan doctoral program where he then came back
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and master Works was lucky enough to be able to
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attract him to be our current director of music.
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Okay, so, and he actually lives on the west coast
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of Florida, but he drives all the way over here
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just to conduct master Works.
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That's amazing.
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He really master works, has a reputation and it's a
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very good one, and he felt it would be worth
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the drive to come over or just to.
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Work with us. He's a professor of music at the Golf.
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Coast Gulf Coast College.
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That Florida Gulf Coast University embowered School of Music.
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And I think I'm sorry.
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He comes over every Tuesday to do rehearsals and he
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has brought an incredible experience training. The easiest way for
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me to say it is that the training that he
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received enables him to make a chorus sound much better.
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We train to sing more correctly, and he can make
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dynamics work better interpreting the music. The difference is so
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obvious when you have We loved Taylor. I'm not saying
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anything against kin Taylor, but his training was not in
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the choral conducting field. So it's just been a great
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experience for us under this new leadership.
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That's wonderful and everybody brings something, you know, everybody, everybody
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brings their own nuggets of gold with them.
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And it's totally different from one conductor to the next.
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It's noticeably different. And the wonderful thing about Brian is
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because he has all this fabulous experience because master Works
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is a community chorus. Okay, not everybody has degrees in
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opera or musical theater, and so they don't know, you know,
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so they haven't had the musical training that they but
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he can.
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Bring that out, then he I love that.
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Yeah, he brings out potential that people didn't even know
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they had there.
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Or perhaps my experience is I'm finding more common among
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Masterworks community choruses. Growing up as a little bitty choir
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member in a church, spending all of my youth singing
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in choirs, all of my adult time singing in choirs,
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going to Northwestern's music school, singing a little bit of voice,
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and realizing that I had some talent, but I was
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not going to make a career in music or opera
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like Kay could. So I became a lawyer, worked for
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thirty years, making all kinds of money, singing in the
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choir when I could. But the love of a music
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and of choral singing was always there. And once you've
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sung your whole life, you're going to find another chorus,
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another choir. And I was looking for my choir when
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I came down to Palm Beach County and I found
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it master works as.
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Her lawyer brain comes from here. But you know, as
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a musician and anybody out there listening to this note,
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as a musician of any type that comes from here, Yes,
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the soul and it does not ever go away. It's
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a God given gift and you've got.
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You feel the need to use it.
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I don't care vocal or instrumental, but you feel the
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need to have to share it and use it.
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And what I learned from music school is musicians are
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incredibly smart. One of the hardest professions and most underappreciated
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intellectrict by people in business school and out there in
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corporations managing companies. Musicians are very bright, very talented, very
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hard working and so true. And I can tell you
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that your training is very difficult to pass.
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It is it is.
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And you know, I'm I'm in the space in this
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place of with my show.
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I'm in my second season the Sound of Goals.
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And I focus is on music because I truly believe
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that where we're going. I mean, there's the AI, there's
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there's the technology. Honestly, the passion that that I put
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into keeping this show alive is to say we're going
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somewhere like we're not the bottom feeders anymore, Like we're
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rising above.
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And there's so much study with the brain, and I
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wish I had.
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More time, there was another day in the calendar that
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I could do more research, because the brain is so
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powerful and as musicians, like, we're using parts of our
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brain that the everyday person. Not not being disrespectful, but
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we are using different parts of our brain that that
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are not used by by other people that are not musicians. Sorry,
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my cat moving this so and we need all of
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us so I'm not this is not.
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Expecting anyone, but yes it is. It is needed. Yeah, so, yes, we.
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Are rising above. And what you're saying, let me ask
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you and I'm gonna jump around. I'm sorry, my brain
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kind of works fast sometimes.
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M hm.
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Kathy, you were a lawyer. You are now president.
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Of Masterworks Course, master Works Course.
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How did you come about that position?
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And a very good one, I might say, very very good.
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Well. I joined right after COVID. We were among twenty
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or thirty of us from master Works Chorus were invited
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along with representatives and rather choruses to seeing Beethoven's Ninth
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with the Palm Beach Symphony and it's hard to describe
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what a wonderful experience that was for all of us.
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And so that evening a couple of the other sopranos said,
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why don't you come and replace me as secretary, Kathy,
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you would really enjoyed it. So, with COVID and everything else,
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master Works was struggling, as was everybody else. And when
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I saw the list of performances that Masterworks has done
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done in the last almost fifty years, I looked at it.
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I said, I can help. The skills that I developed
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over a thirty year career in business I think can
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be useful here and I want to be part of
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the team that makes sure that master Works doesn't fail.
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And that's what we have done in the past several years.
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We are a board led organization. Somebody said, Kathy, have
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you considered hiring an executive director? I said, you're got
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one hundred thousand dollars I'll be glad to hire on.
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You're a board led organization largely because we have people
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like me who want to sing and have always sung,
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can bring their careers to bear the skills in training
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they have in music and outside of music to bear
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to manage an organization and we are really going someplace.