WEBVTT
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Professional service or any advice. You should seek the services
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of competent professionals before applying or trying any suggested ideas.
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Hi, Welcome to the Sound of Gold. If you're new, welcome.
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If you're returning to our show, welcome back. My show
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is basically The Sound of Gold. We focus on music, musicians,
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music venues, music teachers, music schools, and I'm located here
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in Palm Beach Gardens, Florida. My studio is presently in
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my home right now. That's where I am airing live
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for you. And I I am a piano teacher as
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well as a radio show host. I've been teaching for
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over twenty years in Palm Beach County and it's just
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something I've been doing for a very long time and
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I love I love doing. I want to start off
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by talking about instruments. And I've played violin, I've played guitar.
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I've settled with piano, and I don't mean settlers in.
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I guess you can take that different ways. But my
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love my piano, My instrument is the piano. That's that's
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my instrument, my go to And you know, when I
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have opportunities to play at venues sometimes there is not
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a piano, and I have to bring a keyboard, and honestly,
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it's not my favorite thing to do because there's nothing
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realer than is that even a word realer, there's not,
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There's nothing realer than the piano itself. I mean an
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acoustic A digital piano sounds good, doesn't need to be tuned,
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but it doesn't have that quality that sound as a
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piano does. And today I'm so excited to welcome Tobias
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Hamilton from Hamilton Piano out in West Palm Beach. Tobias, Hi,
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how are you good?
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How are you doing?
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I'm doing well. Thank you so much for making the
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time today to be here on the show.
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Thank you for having me on it. This is really
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going to be fun.
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Yes, yes, it will be. It is. It is fun.
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There's so many questions I have for you and for
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our audience out there. I know you've had a studio
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and I've known you for gosh, I've known you over
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twenty years. And you know we have similar friends or
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that swim in the same pool that we swim in.
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And I don't know if that's weird to say, but
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I use that analogy. But you know, we have this
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family this nit close.
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Knit family of musicians, and it's extended out to even
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people I don't know, or maybe you don't know either,
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But where you started, I remember your studio and where
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you are now.
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It's just such a bigger transition and the studio you have.
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Please tell us a little bit about it. Tell us
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exactly where you're located and how people could find you,
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and I have so many questions.
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Sure, So we're located in West Palm Beach, just one
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block north of Forest Hill, on the east side of
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Congress at sixteen fifty six South Congress Avenue. It's called
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Palm Springs, but do West Palm Beach you'll find us faster.
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And yes, you're right. We did start in two thousand
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and eight with a small twenty two hundred square foot shop,
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and we were doing that during when the crisis was
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the economy was at its worst. But I still decide, hey,
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well I'm going to try this because I was kind
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of tired of working out of my garage and my
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father's garage. So I opened up and grew into sixteen
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thousand square feet and then after that I bought this
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building five years ago, and uh, now we're up to
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thirty employees just about and uh, we just keep growing
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and growing, and we are a fourth generation company. My
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grandfather taught my father and my uncle. Uh, and then
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I taught my son. My nieces are here, my daughter's
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here when she's not in college. And the no one
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in my family had ever opened a shop. They just
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kind of kept their businesses separate and worked out of
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their own homes. But I wanted to, you know, try
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it and see and I my dad says.
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Don't do it. You'll you'll, you'll, you know, the overhead's
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gonna kill you.
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And I said, yeah, yeah, yeah, you know, I'm gonna
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try it and see what happens. And I said, I'll
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try it for a couple of years if I if
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I fail, I fail.
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If I don't, I don't. And we didn't fail.
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So you know, we're we're doing good and we're trying
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to get back to the community in the senses like
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you know, we have our you know, we do recitals.
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Eventually we want to add a recital hall and a
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recording studio and things like that, uh, because we have
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the property to do it. And that will happen when
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I don't know, but you maybe the next time we
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do a video like this, well you know, in a
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few years we'll have it started or whatnot. But yeah,
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basically we wanted to do stuff that no one else
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has done before.
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That's why we do a lot of customs with nice.
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Now do you play piano? I do, okay, so, and
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I know.
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I wouldn't say very well. I took lessons as a
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kid from age four to twelve, and when I was
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about ten years old, you know, I kind of didn't
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want to do it anymore. But I was the son
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of a piano tuner, so it took me a little
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bit of time to tell my dad to get the
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nervous say Dad, I don't want to do this anymore.
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So finally when I did, he said, you'll regret it,
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and I said, yeah, sure, I'm twelve, you know, of
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course I know more than him. And then as time
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went on, I do regret it because back when I
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was younger, I could pretty much play almost anything if
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you put the sheet music in front of me.
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But I got back into.
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Playing the piano when I was learning how to tune pianos,
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because to break myself from the stress of learning how
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to tune a piano, I would just start coming up
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with my own music.
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And that's what I.
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Did and that's what I play. So it's but that's
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how I got back into playing.
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So I want to go into talking about the instrument itself.
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But before we even do that, you mentioned a couple
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of times piano tuning. So what there audience out there?
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There may be people that own pianos that do not
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own pianos, But the idea of tuning a piano, what
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is it that you use, what is it that you
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listen for? And I know piano tuners, each one is
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a little bit different.
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There's more than one way to tune a piano, like
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there is a skin of cat and for instance, the
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way I tune a piano is different than the way.
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My father, my uncle, and my grandfather did.
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There's devices out there, electronic tuning devices that can be used.
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You can do it orally, you know where you just
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use a tuning for can set your temperament and then
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go through do your.
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Octaves and unison.
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But what technicians have to look for is basically your intervals,
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your partials.
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And setting a temperament.
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And if you use an ETD device, that's good to you,
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but you still have to rely on your ear just
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because it's a double check. And that's where I think
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the best tunings come in is because not only do
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you have a visual check, but you have a hearing check,
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and you.
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Put those two together. You can't get any better than
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those two.
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If you just relied on one or the other, you know,
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that's fine too, but having both, in my opinion, is
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what makes the tuning the best that it can be.
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So one time, this is some years ago. Thank you
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for sharing that. This is some years ago when I
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was I think it was I don't know if it
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was at this warehouse or the last warehouse, but you
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had a piano that was Lenny Kravitz's. Do you remember
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that right? And I don't know if it was that
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piano or the grand next to it, and it blew
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me away and I used this. I share this with
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my students. You said to me, it takes ten thousand
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and pieces, or this piano is made up of ten
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thousand pieces.
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Between nine and fourteen thousand parts or in a piano,
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more moving parts in a piano than in a car.
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That is just incredible. Now does that go for let's say,
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like I have a vertical grand Worlditzer. So compared to
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like a Baby grand or a Grand is it is
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it just difference in size or difference in the amount
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of material that's used.
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A little bit of both. Size.
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You know, you have different stringing scales, so you may
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have more strings. You're gonna have more in a bigger
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piano because they'll put more bass strings in, you know.
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On longer pianos.
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It depends to certain manufacturers add more keys to the piano,
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you know, like a Bosendorff will have extra base keys.
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So it yep. So it just depends on the manufacturer too.
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All right, And that's very interesting. So what other pianos
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are companies? Because there's so many. I mean basically, if
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I would play this piano or a piano that you
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have in the wordhouse, I mean, it sounds different. Oh
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that's another thing I wanted to bring up to you
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is each piano is has their own style. Like I know,
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like when Doug comes to two my piano, He's like,
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this is a happy, cheery, cheerful piano. Then like, I've
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had another piano before this and it wasn't as happy sounding.
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And when I go and I play different pianos, there's
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just a different feel to it a different sound, a
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different a different energy, and I can't as a piano player,
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I don't know where that comes from, other than maybe
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the maker.
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So the tone of the piano comes from the hammers
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that hit the strings, the harder to hammer, the brighter
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to tone, the softer hammer to mellower to tone.
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And then you also have the touch of the piano.
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So the harder the touch, more you have to play
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harder in order to get the sound out of the piano.
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So between your different touch and tones is how you
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get the sounds out of the piano. But it also
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comes down to the manufacturer. For instance, there are no
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two pianos that are exactly the same. And you could
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even take two pianos made side by side and it
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doesn't matter who made it.
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They're not going to be the same instrument.
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And so my father had told me many many years
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ago before he passed away, that they hooked a computer
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up to a piano. And this was back when computers
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are not like what we have today. And it spit
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out that a piano can produce over one hundred billion
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different sounds.
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Wow, and the human ear will never hear all of them.
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It's impossible because everybody plays the piano different. You know,
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you play pianosmo four timo, you play hard, you play soft,
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the chords, the you know, everything that you play, the
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different hammers that are in the piano. So there's so
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many variations that a piano can produce that the human
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ear would never hear everything that a piano can do.
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I love that. I love that. Yeah, it was I
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think you heard in the beginning of my of my
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show I mentioned there's nothing like the piano. The digital pianos,
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the plug in pianos, column plug in, they're they're great
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for starting out with, but there's nothing like the I mean,
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I'm not knocking. I think it's an incredible invention, as
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incredible to have that option because not everybody can afford
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a piano. Now what you know. On that same note note,
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if someone were to come to buy a piano from you,
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is there do you have like a payment plan or
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do you work with them on a pay scale or
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is it like a set rate and then you know
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either it's for them or it's not. I don't know
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if that's kind of a silly Oh.
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Yeah. We have three different options.
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One is a rent to own program where they can
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rent the piano and they can rent it up to
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six months and whatever their rental fee is goes towards
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the purchase of that piano or another piano. We have
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six months no interest or we have twelve months no interest,
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and that's all in house, uh that we do.
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We try to.
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Our job is to make sure our customers get the
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right piano. It's not about selling a pianos, about making
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sure they get the right piano.
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And you also have trade up value.
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Too, So if someone wants to buy a we sell
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Roland digital. So someone wants to buy a roll in