WEBVTT
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This program is designed to provide general information with regards
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to the subject matters covered. This information is given with
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the understanding that neither the hosts, guests, sponsors, or station
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are engaged in rendering any specific and personal medical, financial,
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legal counseling, professional service, or any advice. You should seek
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the services of competent professionals before applying or trying any
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suggested ideas.
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Hi, welcome to the Sound of Gold. If you've been
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here before, welcome back. If you're new, then welcome as well.
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I do the show for you, and I do the
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show for musicians and music venues, music teachers, music schools.
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And my passion and my heart felt purpose for doing
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this is I want to be the voice to keep
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music alive. Music is so important in our lives. It
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is so important. Everywhere we go we hear music, even
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if it's not like the radio music. When you're outside,
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you hear a breeze, you hear the birds singing. It's
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they're different sounds, and to me, that's music. More So,
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focusing on instruments and playing music is even more important
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because it's not only beautiful to hear, but as a
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musician and as a teacher to teach music. It's a craft,
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it's a trade, and it is something that we grow
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with and it's you know, it's not like making a
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peanut butter sandwich, like you have the brand, you have
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the peanut breas to the jelly. You put it together
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and it's done, and you know you have your sandwich.
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With music, there's just there's more than just the peanut butter,
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jelly and bread. There's so much. There's so much layers,
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so many layers in music to learn and it's never ending.
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It's a lifetime commitment to learn and as a human
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being to begin with and adding music to that, it's
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just like a step above just I don't know, to
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me being a musician, being a musician, just learning more
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and learning more about music fills my soul. And you know,
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with that said, and I do teach. I teach piano.
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I think it's so important, especially in today's day and
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age and as we're moving forward in the years to come,
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generations looking forward, we want to keep music alive. We
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want to keep music alive in studios, we want to
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keep music alive at music venues. And I'm not going
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to give away my age, but it's fun playing it's
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fun being out there, it's fun teaching. However, the younger
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generations are the ones we want to focus on. They
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are the ones that we want to help develop and
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grow into musicians that we want to continue to listen to.
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So in order to do that, we need to keep
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it alive. As a teacher, as a professional, we want
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to we want not incorporate, but we want to inspire, right,
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we want to inspire each other. We want to inspire generations,
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you know, younger than us, and we want to make
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an impact. So with that being said, I want to
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I want to focus a little bit more on the
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public school systems today on my show. And I want to,
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or I already did. I invited the president of the
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Art of Piano Playing to our show today and Diana,
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are you backstage? Are you here with us?
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I'm here, Hello, Hi, Hi, welcome, thank you, and thanks
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for having me.
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So so they are piano playing well. First off, even
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before I always love to introduce my guests, because you've
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taken the time out.
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I want to know you.
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I want to like, what is your your journey to playing?
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I know you play piano or you teach piano. What
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began your journey to to bring us to where you
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are today, because there's so much we have to talk about, saying,
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there's so much to share. So if you would be
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so kind.
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Sure, sure, I would say. It's rather a long story.
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You know.
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My background goes back to northern Russia. My parents are
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from Ukraine, but they immigrated, you know in the times
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of the USSR to north of Russia. That's where I
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was born and where I grew up. And I went
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to a music school there. You know, the Russian music
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education consists of three steps. So I started around actually
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studied late, I would say, you know, unlike a modern trend,
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you know where you can see students playing three and
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four and five, you know, like little buzzards. I was
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pretty well aware of what I was doing, you know,
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at the age of almost nine, and I was dreaming
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living under the piano literally, you know, I was smelling
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the keys.
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I love the wooden smell of the keys.
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You know.
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I had an upright there.
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And yeah, and so I attended the music school, you
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know for seven years. Then I went on a couple
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of hours you know, away from the place where I
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grew up to study in the music college for four years.
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So this was already another serious.
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Step towards you know, more professional education because I realized.
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That I am I am bit by the bug, you know.
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Oh it took.
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It's really My parents showed me a tape of a
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very famous musician. It was a pianist. His name is
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Fataslav Richter. It's a Russian pianist and composer of old days.
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And when I.
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Saw him sitting in front of this gorgeous grand piano
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in a quiet, you know atmosphere of a beautiful hole
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filled with people that are like amazed, and they're looking
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at him and then waiting for him to say the word,
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you know, musical word on the piano. By studying with
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the first note, that was it. I'm still having chills.
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Like what about this?
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You know.
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So once I saw that magic happening on stage right
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in front of me, that was it.
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I got myself.
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Through you know school, and nobody really had to insist
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on me practicing. I was doing it for hours and hours,
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and that's that's how I got through all my schools,
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you know, after the four year of college, after a
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lot of heavy competitions you know, abroad and domestic, after
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a lot of scholarships.
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And mayor awards.
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You know, I went on to study in Moscow. That's
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where I went to. It's I would say legendary school.
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You know, it's Agnessonnissence Music Academy. So there was two
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rivals at Moscow. There are you know, the Moscow Conservatory
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by Tchikovsky and the Naissance Academy. That's where I spent
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another five years of studying. So a lot of studying,
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a lot of competitions, a lot of practice rooms.
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You know.
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Yes, So that's that's what brought me eventually to the
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United States where where I went to Eastman School of
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Music and I completed my it's an I guess considered
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second master's degree of years. So more more practice, more collaborations,
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you know, being around a lot of pretty famous musicians,
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you know, collaborating with them, per forming. It was it
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was amazing, just an amazing journey.
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You know, I'm honored to know you. There's so much
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I don't I didn't know.
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Thank You's so wonderful.
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So what I have so many questions. What I had
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mentioned before you got on was being the voice and
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being an inspiration in the public school system and for
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our listeners who are listening the reason why I said that,
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and I'm I feel silly, but I'm gonna say, Dina,
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you are one of your like I mean, I'm my
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own boss, but you're also one of my bosses because
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I teach. I work with you to teach in the
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public school systems, and there's been so much, I think,
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in so many ways taken away from this public school
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systems that you have. You are the president of the
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Art of Piano Playing. Tell us a little bit about
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how you came upon creating that. And I know it's
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not only here in Florida, but it is here in Florida,
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but it is also in New York as well, So
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I'm asking us once.
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Yes, it is in New York indeed, and I'm right
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now in New York. Actually it's pretty child, That's why
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I'm wearing the sweater.
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Yes.
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So it started around twoenty twelve and started with a studio.
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I was always passionate about teaching, and I knew it's
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very important, you know, to pass on your passion and
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your education and your experience to the other generations you
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know of children. And it's basically started with my overgrowing
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studio that I couldn't handle anymore, you know, when you
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become a popular teacher, you know, and the students love
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you and you do recitals with them. It just overgrew
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pretty quickly, and that's how it ended up in more
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of a school setting. And then I started to, you know, think,
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why is the piano class, why does the piano class
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should be limited to just a private class just to
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select few, where all children should be you know, privileged
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to be able to read those symbols on the page,
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you know, not just a few that actually take private classes.
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So that's where I got an idea that, you know,
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maybe it's time to bring music to schools where children are,
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you know, because not everybody can't afford right a private
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piano class or have time to travel to the teacher
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or time after school. So it only made made sense,
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you know, to go into a school.
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So that's that's how it started.
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Started with a couple of schools, you know, and then
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we just grew in New York City and now we're
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in Pumbach County.
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Yes, which is wonderful. And you know it, I know
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a little bit about like overseas, and I have family
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in Europe, and I know, like my cousin's a piano player,
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and I know I've learned of friends in like England,
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and there's different it's a different approach when it comes
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to the schooling for music, and it's not the same
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as it is in America, or at least how I
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was raised. I had my you know, the private teachers,
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and I didn't. It wasn't something. It wasn't an option
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in the public school system. So I love that it
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is an option now. And in what ways, uh, somehow
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we got connected over the years, And in what ways
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do you kind of advertise doing the public school system
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to get attention for families to sign up.
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So first of all, I want to come in. I'm
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very happy with man and I look forward to, you know,
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collaborating even more. But the way the way we do it,
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So we we approached school and h you know, we
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sign a contract and we advertise we bring flyers to schools. Actually,
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so those flyers, we call them back back flyers, So
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they go into teacher's mailboxes and then they end up
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in folders going home with the students. So I imagine
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that once a student comes home after the classes, you know,
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their parents check the folder and they see how a
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little flyer, you know, advertising, So that's that's how they
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sign up and then you.
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Have Okay, so here, Palm Beach County in New York,
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do you have are you in New York City? I
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mean for our listeners, I don't know, people are tuning
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in from everywhere. So for both New York and Florida.
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Tell us how if our listeners want to connect or
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maybe you know, want to make make it possible for
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their children to sign up.
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Okay, yes, that would be great.
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So yes, So it's in New York City, it's in Manhattan,
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Queens and Brooklyn. And in order to sign up, they
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can go on our website. They I can, if I
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am allowed to say the website or it will be
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it's it's art. It's w w W dot art of
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Piano Playing dot com. And they can always give us
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a call. And if let's say, their school does not
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offer a similar class, you know, they can always raise
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our awareness and then we will approach the school and
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you know, try to see if we can set it
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up in their school.
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Oh, I love it, And what what feedback? You've been
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doing this for a while now. Actually, let me go back.
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So in Palm Beach County. Do you have the same
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contact information as as you would in New York. It's
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just one website, so either New York or Florida.
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Yes, yes, we have a couple of phone numbers, so
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one is for New York, but you know they are
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both right in front of me, so it goes to
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the same place. We We're happy to receive a call
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on any number, whether it's New York or so.
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I know.
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For the time I've been working at some of the
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public schools for our listeners to know. When we teach
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at the public schools, it's usually from my experience, you know,
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one class, one teacher and then as many as how