Oct. 27, 2025
The Sound of Gold with guest Ellen Vargas
An interview with Ellen Vargas. A talented musician in our local community. She is a Mom a wife and so much more.
Tune in to learn how she is an inspiration to her family and her local community.
The Sound of Gold is broadcast live Mondays at 4PM ET / 1PM PT on K4HD Radio - Hollywood Talk Radio (www.k4hd.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Sound of Gold TV Show is viewed on Talk 4 TV (www.talk4tv.com).
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This program is designed to provide general information with regards
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to the subject matters covered. This information is given with
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the understanding that neither the hosts, guests, sponsors, or station
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are engaged in rendering any specific and personal medical, financial,
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legal counseling, professional service, or any advice. You should seek
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the services of competent professionals before applying or trying any
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suggested ideas.
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Hi, welcome to the Sound of Gold. I'm glad you're
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here with us today, And if you've been with us before,
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you know, if you're new to us, My show is
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basically focused on music musicians, music teachers, music schools, and
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music venues. There is a lot of talent in our
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communities and I am wanting, I am that voice to
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kind of spot shine the light on a lot of
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our community talent and bring them forth and share their
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talents with you.
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And I don't know, if you're a musician, you know
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kind of what it takes, and if you're not a musician,
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or even if you're a new musician that you're stepping
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into this world of wanting to perform and meet like
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minded musicians. It's a discipline, it's a discipline to practice,
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it's a discipline to advance. It's a discipline to.
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Just make it a continual part of your life, and
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it's a good thing.
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It becomes a lifestyle, and again that is a good thing.
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I think anything we believe in, anything.
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We commit to and we grow with, just improves our
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daily lives and our daily attitudes and just a greater
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appreciation for our existence as human beings. There's so much
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that we can do. And if you are a musician
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or stepping into that world, you are sharing your sound
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with us through an instrument or through your voice. Today,
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I have a special guest with me and she is
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not only a friend, she is also in our local
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music community. She is a piano player, she is a singer,
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and she's I've seen her play out in bands. I've
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seen her play at open mic and Ellen Vargas. I
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would love to share the stage with you. How are
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you today, I'm good and great.
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Thank you very much. Thank you for having me today.
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Yes, and thank you for making the time. I know
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you juggle a busy schedule and there's so much I
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haven't seen you in a while. I know you've been
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out of town. I know you've been recording. I know
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You've been doing lots of different things, and gosh, where
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to start?
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I guess you know what I would love to know,
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and I know the audience would love to know, Like,
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what has brought you to where you are? Let's just
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focus on the music part. What has inspired you?
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Where did you start your journey when it came to
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playing piano and singing?
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Well, I started playing piano when I was very young,
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and usually when you're around five or six, that's when
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you start piano lessons.
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So I started out with classical music.
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And that's really my roots, reading the music note for note,
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knowing all the technical stuff about piano and about music,
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and what kia song is in, not just the note
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it starts in, but the note it resolves in. What
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were the flats, the sharps, that kind of thing. So
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I played classical music and studied it for many years,
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and then I became a teenager, and that's when I
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rebelled and I found out I could be playing music.
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I actually, like, I'm going to show you my first
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music book. Okay, it's been duct taped together so many times, got.
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A paper clip, Yes, he just have fallen out.
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But I found out I could actually play music I enjoy,
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and because I know I how to read music, I
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would read the music and learn it note for note
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and imagine, oh my gosh, I'm Billy Joel up here,
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even though I'm just in my living room. And I
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also discovered Elton John. That was also my one of
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my first books. You can see that's that's in tatters.
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So I got the next one of Elton John, which
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is a much more comprehensive book, but it also is
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losing a few pages as well.
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So that's the way I started out.
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And then I went to college and just for the
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fun of it, I took a jazz piano class.
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Fun and it was we were.
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In a room with a Grammy Award winning jazz pianist,
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and everyone came in with their instruments, not just piano,
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but guitar, bass, guitar, trumpet, and the instructor would write
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the chords up on the chalkboard and then we'd all
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just start to play and we take turn soloing, and
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I thought, oh my god.
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This is so fun.
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I feel like I'm really playing and I'm not actually
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even reading music. Freed me a lot to be able
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to just play spontaneously.
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After that, and.
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Now I do blues and jam banding and rock and
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roll and Christian music, Jewish music, anything people want me
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to play.
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I feel like I can pretty much play it all now.
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So how is your transition like from reading music to
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being like in a group accompanying other musicians. How was
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it like your brain like turned off? Or was it
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did you use your ear just to play along? How
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is that? Is that something you can describe?
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Well, it's kind of a combination of all of it.
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A lot of the bands that I've played with here
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in town, they.
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Don't tend to use sheet music.
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They tend to use like ultimate guitar, which only shows
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you the chords. So you look the chords, then you
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listen to the song, and then for more detail and clarification,
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then maybe I'll pull up the sheet music if they
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want me to do a solo or bring in the
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intro or the outro or whichever part, and I want
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to play it note for note because like songs, like piano,
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man has to be perfect, so that has to be
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note for notes. So I will then blend all of
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those different parts of playing into learning a song.
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So when you play no, are you with a new
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band now? Or are you still playing with THEA.
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I'm no longer playing with THEA.
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I am playing occasionally out with her husband RAF, although
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I am also doing like some solo gigs, especially during
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the Christmas holiday. I tend to get even busier little
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private events as a soloist. And I don't mind being
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a sit in pianist for any band that doesn't currently
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have a piano player. I can probably sit in and
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learn their repertoire pretty quickly.
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And what would be the best way to reach you
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for listeners that might want to connect with you?
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Well, I mean I have a Gmail address. If you
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want me to give that right now, sure, it would
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be my name, Ellen Vargas DMD at gmail dot com.
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And I have a little promo sheet that I do
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that I give out and that I have posted at
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like different music stores and places like that.
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Okay, so what I styles of music I like to do.
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And I also have a YouTube channel, so as you know,
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I go out and do open mics and I try
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to gather recordings almost every time I go out, so
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I have something to put into the YouTube channel, just
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examples of this is what I play, this is how
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it's done. If you like that that would be great,
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so they can contact me and and and uh, I
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think Gmail is the best way.
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And then YouTube it's just Ellen Vargas.
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Yes, yes, I don't know if they need the other
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part of the.
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Address where it says at Ellen Vargas dash G three X.
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That might be just how I get in to you know,
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alter My and ad.
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But yes, that would be it.
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So so let me ask you. So, okay, you you're
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a classic. You're classically trained, all right. So for musicians
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that are maybe are just starting out right or there's
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you know, stepping into this world of wanting to accompany
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other musicians and maybe they've been classically trained or maybe
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they've been self taught, how do you go about let's say,
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playing with RAF's bands. Right, I've heard you play, you
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sound wonderful and when you when you play, how do
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you distinguish from reading a chord chart? How do you
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distinguish from that from reading like Billy Joel's melody and
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playing it right? So I can read music, right, I can,
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I can play and I understand the court chart, but
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how do you incorporate it so that it's your accompanying
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other musicians and not like on your own. Does that
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make sense?
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Oh, it absolutely does, because for most of my life
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I played piano by myself and had to play the melody,
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the bass and maybe even sing and do it all
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by myself. And when I started playing with others, I
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had to learn how to play with others and behave
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and actually hold back and do more of the left
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hand chord playing in the bass and then just keep
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the right hand really simple unless they want me to
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pull out a solo and then yeah, then I'm going
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to go crazy and go do.
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My soloing thing.
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But when there's a singer, I don't like to overlap
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and do what they're doing with their voice. They say,
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it's that's not the way it's done. When there's a singer,
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they're gonna do that melody.
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And that.
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Song, while I just kind of have to stay in
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the back and be an acognomist. And it takes a
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lot of willpower because I'm someone who wants to take
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off and solo and jazz it up and go to
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all nuts on the piano, but when you play with
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a group, you need to behave and know.
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Your place and hold back.
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So yeah, it's taken a lot of willpower and reteaching
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of myself. I did not start playing with others until
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just recently when I started with THEA. One day, her
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husband and my husband they were like, Oh, my wife
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plays piano. Oh, your wife plays guitar. Oh, they should
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meet each other. I walked in her house and from
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note one I knew we were going to have a
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good time. She first of all, she has this gorgeous steinway.
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Yes she does.
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And I sit at the piano.
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She had the same book on her piano that I
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had on my book on my piano at that same moment,
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the Carol King Tapestry.
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Album, and I said, oh my god.
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And a week later we had a gig and it
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never stopped from then on. So from then, at that moment,
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I had to learn how to play with other people
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and hadn't done it ever and over fifty years, always
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just playing by myself.
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Right, So that's wonderful. And I yes, the sign way
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she has is beautiful because I've played on it too.
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I know you we're friends, right, But that's much more.
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What I love about you, Ellen is that there is
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so much depth to you, like you just like you're
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just not like your regular piano player, like you have
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so much like you're so intelligent, and you well and
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you I know some you know, work with your husband
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a little bit and help him, and you know you
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have kids and then you you have a life that
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you know that you keep going and.
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You know.
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We're human, right, So yeah, to share with the audience,
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like being a performer, it's not like you're like born
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into it. It takes.
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It takes a practice, it takes a work, it takes
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a focus, it takes a discipline.
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And last week my guest was Tia not THEA and
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we see that off this and I know you listen
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to the show, Yes I did, and it's so important
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to express again to my to the audience as well
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that you know, it's not the struggle, it's a juggle,
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but it's knowing how to be disciplined and knowing how
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to juggle all the parts without losing losing pieces of
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it or losing the ball here and there, or maybe
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they don't fit. But but tell me a little bit
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or tell us a little bit about like how that
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works for you, How do you get in practice time,
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how do you make it work? Like with everything else
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you have going on in your life, Well.
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You have to prioritize certain things.
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You have to get your work done, and then it's
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